Born in Párraga, Cuba, Gabriel Vinas is a sculptor whose practice bridges contemporary figurative art, anatomical rigor, and philosophy—treating sculpture as a discipline of being with what is, before it vanishes into memory.

He dedicated much of his early career to the human form through scientific reconstruction, collaborating with researchers around the world to develop methods for anatomically restoring the faces of our ancestors. Over time, this pursuit revealed its own paradox: the closer he came to physical accuracy, the further he felt from understanding what makes us human. The work gradually turned inward—away from resurrecting the long dead and toward witnessing the living.

Today, his sculptures function as meditations on presence rather than preservation, often paired with written reflections that explore the same questions through language. Together, these works trace a shift from measurement to mindfulness, from reconstruction to reverence—quiet studies of impermanence, devotion, and the attending to the life he finds himself living before it too vanishes into the fossil record.